Final vid, tonal shifts & essential pages to hang in your studio
Final vid, tonal shifts & essential pages to hang in your studio
Final vid, tonal shifts & essential pages to hang in your studio
Lid's bold art move that left me speechless in the middle of teenage wasteland, more edits, and the little book of PUKE.
I shared the Status Sheet on Tuesday, which is basically the classic 9-panel comic book grid on an 8.5 x 11 piece of paper. Without it, I don't know how I'd get anything done.
A day in the life of a comic book editor? Sure, it's changed a bit since I entered the field in 1988. But the method to my madness has remained pretty consistent. I guess I'm just a creature of habit...
Egregious Error Alert! Last Friday, as I was assembling the playlist for Skate The Night Away (see page 6 of F&GDD), I realized the error of my ways.
Proofreading Tips, Bond vs. Lapham part 3, E.A.T. Records and more!
Editor's Autopsy #004: On Beginnings, Midpoints & Endings as the full Skate story finally shows itself off.
On Reference, Research & '70s Creepy Cartoon Characters that Latch onto your Eyeballs and Never Let Go.
Did someone say DUMMY? We'll go all in on why the DUMMY BOOK assembly is THE most critical stage of all when it comes to making a comic book, be it 2 or 208 pages.
I hope you've been enjoying the Deep Dive with David Lapham. I can't think of a better storyteller to bring on for the inaugural F&G DOT COM experience. Here's an excerpt from a long interview with David that I'll be adding to the library before the end of the month.